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Strictly Review: Sarah Hadland and Vito Coppola
Last Saturday, Strictly Come Dancing presented their Night at the Musicals, This week’s Charleston routine was choreographed by Tommy Franzén and Lizzie Gough, and it was Actress Sarah Hadland and her professional partner Vito Coppola’s turn to dance the Charleston set to the tune ‘Popular’ from the West End stage show Wicked! Did you agree with the score 38/40?
Last Saturday, Strictly Come Dancing presented their Night at the Musicals, where we were treated to all things theatre; ranging from a Mary Poppins themed Viennese Waltz set to the tune Let’s Go Fly a Kite, to an Argentine Tango to the track Ex Wives from SIX the Musical!
This week’s Charleston routine was choreographed by Tommy Franzén and Lizzie Gough, and it was Actress Sarah Hadland and her professional partner Vito Coppola’s turn to celebrate all things Jazz Hands, with a Charleston set to the tune ‘Popular’ from the West End stage show Wicked!
TV presenter Tess Daly, said there has “Never been this many 10s from the judges going into the quarter final before.” So will this theatre themed Charleston add the number and make it increase, or will it be banished away on a broomstick- never to grace the Strictly Ballroom again?
Let’s find out...
The routine opens with Sarah dressed as the Good Witch Glinda, sat in her bedroom quoting a line from the West End performance- perfectly setting the scene for the audience. After a few bars of music, she joins Vito sat on the bed- further establishing the characters and the scene.
The opening was just perfect, with the magic wand being wafted causing Vito to move in time with the music; further adding to the Musical’s theme!
At 0:45, the pair use their character as Glinda and Elphaba to fly straight into the Charleston spirit, with Basic 20s Swivels, Heel Flicks, and a Jazzy walk. Soon after, the pair came together for their first of many impressive lifts- where Vito sweeps Sarah off the ground and tumbles her through the air; perfectly emulating the scene from the stage show.
Later on, at 1:14, the couple complete a further complex lift- leaving the audience screaming with excitement.
After a few hair flicks Sarah completes a series of solo 20s Charleston steps, Birdie Flaps, Suzy Qs, Kicks, Flicks, and a Squat Charleston. (you can learn how to Squat Charleston here).
Further on, the couple simultaneously complete a mini comedic sketch; adding to the classic Charleston vibe, before Vito swings Sarah up-side-down in one swift motion!
Nearing the end of the routine, Sarah and Vito come together to complete another spell-bounding lift, where Sarah is swung from side-to-side imitating a pendulum; after which they had just enough time for a few 30s style Charlestons before Vito Leap-Frogs over Sarah’s head, and they resume their final poses; where they were met with an eruption of applause from both the audience and their fellow contestants.
To begin with, I was sceptical about a Wicked theme Charleston, because I just really love a traditional Jazz song. However, I was blown away by the standard and finesse that this routine possessed. It was clear from the outset that Sarah’s passion and drive to do well, really were at the forefront and her energy was just infectious– making it impossible not to smile throughout. The lifts were also crazy cool- I LOVED every second!
It is clear that I was not alone in my opinions, as one critic exclaimed that they are “Absolutely obsessed with this couple” and another “Could not believe” how the pair managed to dance a Charleston that was “Unconventionally conventional” with regards to partnering music and style.
It seems the Judges were also in agreement with this as Motsi Mabuse shouted “Yes, yes, yes- what a way to open the quarter finals. Thank you for setting the standard today” which Head Judge Shirey then echoed when she exclaimed “Your lifts were flawless.” Anton Du Beke also shares how this routine was a “Wonderful piece of musical theatre, and if [they] were to lift this Charleston into the Show, it would fit right in” which is a wonderful compliment to receive this far into the competition.
Due to this high praise and the fantastic comments that the couple received, they have managed to successfully swivel their way into next week’s Semi-Finals. Whilst Montell Douglas and Johannes Radebe found themselves in the bottom two for the second week running and were unfortunately the next couple to leave the competition.
Scores:
Craig Revel Horwood - 9
Motsi Mabuse – 9
Shirley Ballas – 10
Anton Du Beke – 10
MyCharleston – 9
By: Eleanor O’Donnell
Strictly Review: Emma Barton & Anton Du Beke
The Strictly Come Dancing Final is now in touching distance and on Saturday night, we were treated to a spectacula evening of dancing. During the quarter finals Anton and Emma wowed the audience and judges with their Charleston. They scored 39 points for their Thoroughly Modern Millie inspired routine during Musicals week.
The Strictly Come Dancing Final is now in touching distance and on Saturday night, we were treated to a spectacula evening of dancing. During the quarter finals Anton and Emma wowed the audience and judges with their Charleston. They scored 39 points for their Thoroughly Modern Millie inspired routine during Musicals week.
Anton Du Beke and his partner Emma Barton have so far managed to avoid the dreaded dance-off, so did this routine reveal that they could go onto to win? With a near perfect score, let’s take a look at how Emma and Anton secured their spot in the semi final.
Playing the role as Mille, Emma started the routine in an office with Anton as a her boss. Emma sits at her desk with a typewriter and 4 backing dancers in the same position. She does Heel Clicks under the desk.
After some scene setting the dance breaks into action at 0:40 with a little Charleston run inspired by choreography from the musical followed by Charleston style flicks, the basic Charleston step, and Knee Slaps which leads into the pair coming into hold.
Once they hold hands, we see Heel Flicks, A Bunny Hop, Charleston with a kick and Flapper Walks. At 1:04 they break into a 20s style Fall off the Log where all flicks are performed on the syncopation. Emma then performs one of Jopshine Baker’s classic moves followed by Charleston Kicks and a Black Bottom. She looks much more at ease with the steps then Anton and shines as Millie.
After the lift she is placed on the table where she performs another set of Heel Flicks and ends the dance with Flapper Walks, Charleston variations with a brush step, more Heel Flicks and a final position.
In the judges comments, Bruno remarked that this was a classic 20s routine. I agree that this is the only dance this series which really captured the charm of the 1920s Flapper girl. The music, costume and theme all lend themselves beautifully to the dance and Emma performed the role perfectly.
The choreographer Jenny Thomas put together a great routine and also added some tricky timing which some of the other celebs have not managed to do with the Charleston.
If I were to be picky, Emma should have kept her knees together on some of the Heel Flicks and held her final position. However, she out dances Anton and is a joy to watch - hope she gets to the final!
Judges Score = 9+10+10+10
Our Score = 9
Strictly Review: Karim Zeroual and Amy Dowden
Strictly Come Dancing fans were fuming this weekend over Craig Revel Horwood's score for Karim Zeroual's Charleston. Whilst the other 3 judges were on their feet and scored him top marks, Craig’s decided not to dust off his number 10 paddle. Let’s take a deeper look, to why the rest of us felt it deserved top marks.
Strictly Come Dancing fans were left fuming this weekend over Craig Revel Horwood's score for Karim Zeroual's Charleston. Whilst the other 3 judges were on their feet and scored him top marks, Craig’s decided not to dust off his number 10 paddle. Let’s take a deeper look, to why the rest of us felt it deserved top marks.
The routine opens with Amy and 3 backing dancers gathered around an amusement arcade game where they win Karim. He is then lowered down from the ceiling via a novelty size grabber.
The choreography starts with Amy performing Flapper Walks, Spank the Baby and Heel Flicks whilst Karim is taken out of his harness.
Once he is on the floor they break into a jam packed, highly energetic routine. From 0:35, we see: Charleston around the Worlds, Scarecrows, Lock Turns, Fall off the Logs, Heel Flicks, 30s Charleston. This is followed by a solo by Karim who performs a 20s Charleston, Helicopter, Trench Walks, Kicks, Lock Turn and Jazz Splits.
He then moves into hold with Amy who dance 20s Charleston together with a wiggly head, a Lindy Hop variation step, a series of turns and single leg Swivels into Flapper Walks at 1:14. Next up are Tick Tocks, another set of Spank the Baby, a Scarecrow variation and a lift.
By the second chorus, the pair start the sequence with Side to Side Charlestons, Tick Tocks and Hitch Hikes and a Shimmy. They continue the routine with a Hail Mary and another Charleston Around the World in hold followed by a Side to Side Charleston also in hold.
After the final lift, Karim performs a final set of turns with Amy, a leapfrog and a final position.
This is by far my favourite routine of the series because of the excellent choreography. Jenny Thomas, the choreographer, has pack the routine full of fantastic content, including many Charleston variations we have not seen on the show yet, including Side to Sides and Around the Worlds. The steps must have been a real challenge to Karim and he mastered all the moves. It was also very brave of him to perform a solo around the professional dancers and he executes the routine to an excellent standard.
I thought the music choice was great, ‘Happy’ by C2C, and it worked really well with the steps. The costumes although very garish also fitted well with this fun themed routine which captured the joy and silliness of the Charleston.
Judges Score - 9+10+10+10
Our Score - 10
Strictly Come Dancing 2019: The best & worst Charlestons so far
We are now half way through Strictly Come Dancing 2019 and we have now seen 7 Charlestons on the show with only 4 couples left who have yet to perform one. As the standard builds, let’s looks back at the Highs and Lows of the Charlestons and who has the highest scoring routine so far.
We are now half way through Strictly Come Dancing 2019 and we have now seen 7 Charlestons on the show with only 4 couples left who have yet to perform one. As the standard builds let’s looks back at the highs and lows of the Charlestons and who has the highest scoring routine so far.
First up was Comedian Chris Ramsey with his professional partner Karen Hauer. The storyline is of two flirty neighbours set to Take That’s ‘Out of our Heads’.
Chris Ramsey and Karen Hauer
The following week was Movie Week and we were treated to not one, but two Charlestons. Actor Kelvin Fletcher and his dance partner Oti Mabuse scored an almost perfect score which included two 10s to ‘Trip a Little Light Fantastic’ from Mary Poppins. Anneka Rice and Kevin Clifton were voted off the show with their Kill Bill themed routine.
Kelvin Fletcher and Oti Mabuse
Catherine Tyldesley, actress, with her professional dance partner Johannes Radebe were next to Charleston to Beyonce’s hit single Single Ladies. Both wearing fuchsia pink outfits their performance was set in a nail bar with plenty of energy and sass.
Catherine Tyldesley and Johannes Radebe
Alex Scott with her professional partner Neil Jones leaped back up the leader board the week they got to dance their Electro Swing style Charleston to the track ‘Pump the Jam’ by The Swingrowers.
Alex Scott & Neil Jones
Strictly Come Dancing spook-tacular Halloween Week featured Emma Weymouth and with professional dancer Aljaž Škorjanec dancing a Cluedo themed Charleston to the song ‘A Little Party Never Hurt Nobody’ by Fergie.
Emma Weymouth and Aljaž Škorjanec
The final Charleston dance so far of the series was TV presenter Mike Bushell and his dancer partner Katya Jones who performed the Charleston to Those Magnificent Men In Their Flying Machines by Ron Goodwin Orchestra. Although they ended up in the dance-off, the judges saved the pair.
Mike Bushell and Katya Jones
The judges have ranked the Charlestons in the following order:
Kelvin Fletcher and Oti Mabuse = 38 points
Alex Scott & Neil Jones = 33 points
Joint place between Catherine Tyldesley and Johannes Radebe, Emma Weymouth and Aljaž Škorjanec Mike Bushell and Katya Jones = 30 points
Chris Ramsey and Karen Hauer = 26 points
Anneka Rice and Kevin Clifton = 11 points
Do you agree with the scoreboard so far? and will anyone beat Kelvin and Oti?
Strictly Review: Mike Bushell and Katya Jones
After last week’s shock exit, and Will Bayley’s departure due to injury, we saw the nine remaining couples take to the dance floor on Saturday night. TV presenter Mike Bushell and his dancer partner Katya Jones performed the Charleston to Those Magnificent Men In Their Flying Machines by Ron Goodwin Orchestra.
After last week’s shock exit, and Will Bayley’s departure due to injury, we saw the nine remaining couples take to the dance floor on Saturday night. TV presenter Mike Bushell and his dancer partner Katya Jones performed the Charleston to Those Magnificent Men In Their Flying Machines by Ron Goodwin Orchestra. Although they ended up in the dance-off, the judges saved the pair. What made it worth the save? It was praised by Craig and Motsi for being "more entertaining" and "more challenging" but do you agree?
The routine is set around the two of them being ‘Hot Air Ballon Pilots’ (If that is the correct terminology?!) and the routine starts with Swivels, Box Step and a Cartwheel style Kick from Katya. At 0:33, there is a nice lift and some stylised movement where they pretend to be aeroplanes. The section is very crisp and put together nicely.
They get into hold at 0:49 with skips around the stage, a handstand from Katya, Heel Rises and Truckin’. They continue with more Charleston content including: Scissor Jumps, Helicopter, Swivel Walks in Hold and a Penguin step whilst turning.
From 1:30 mins they perform the basic Charleston step, Pushes and a final lift until Katya runs back to her hot air ballon for the final pose whilst Mike does some Wings then a end position.
This routine is full of content and compared to Emma and Alijaz’s Charleston routine last week, it’s much more dynamic. The choreographer Jenny Thomas put loads of great steps in including: Truckin’, Helicopter, Pushes and some quirky lifts. In terms of choreography it’s one of the most content rich so far. The music was in keeping with the style and the costumes were very nice too.
Mike has no dance experience and he obviously worked very hard. He put a lot of character into this one and uses his face well. In regards to the dance-off it was a more interesting routine to Emma and Ailjaz. Unfortutetly, the public are a bit ‘Anti-Mike’ due to last weeks dance-off but I do agree it was fair to save him over Emma.
In terms of areas to improve, Mike needs to work on being more relaxed when he dances so the movement flows more. The routine did look a bit like he was plodding through the steps so if he could try and be lighter on his feet it would hopefully make the transitions within the routine more fluid as it come across like they blocked each section but a good try from a complete beginner!
Scores 7+7+8+8
Our score: 6
For a quick comparison, here is Pasha and Kimberley dancing to the same song back in 2012.
Strictly Review: Emma Weymouth and Aljaž Škorjanec
Strictly Come Dancing spook-tacular Halloween Week special aired last weekend and the latest couple to take on the Charleston was Emma Weymouth and Aljaž Škorjanec. Scoring a total of 30 was this fair or overmarked?
Strictly Come Dancing spook-tacular Halloween Week special aired last weekend and the latest couple to take on the Charleston was Emma Weymouth and with professional dancer Aljaž Škorjanec. Scoring a total of 30 was this fair or overmarked?
The dance was set in a library and the theme was Cluedo. Emma dressed as Miss Scarlett and Aljaž as Professor Plum.
The routine begins with Aljaž popping out a bookcase and they greet each other with a few Runs, Step Points and a Tick Tock.
They break into 3 Charlestons with various arms at 0:34 followed by a series of lifts. In hold they move into Sailor Kicks turning around each other then Flapper Walks.
At 1:07, they go back to the Cluedo theme and fight over a candlestick followed by some Flapper Walks at 1:14. Judge Craig Revel Horwood commented that this move was supposed to be a Truckin’ Step but it didn’t look anything like that. I think it was just supposed to be walks.
For the final section, Emma spends most of it in the air with lots of trick moves and lifts. The routine finishes with Aljaž disappearing back through the bookcase.
This routine was well rehearsed and the pair gave a polished performance. Emma had plenty of swivels, danced in time and is very neat when she performs. I think she needs to go the extra mile now and become more playful as it was very controlled and a bit posey.
In terms of technique, her movement needs to be continuously, without stopping so the dance flows a bit better. It came across and a bit stop/start.
Choreography could have been more dynamic. They were a few Charlestons and travelling steps but there was not that much Charleston content. I couldn’t find online who choreographed this but it can get a bit boring watching lift after lift and it’s a shame not to have more interesting footwork.
The music they picked was from the Great Gatsby Soundtrack but it didn’t work very well with the theme of Cluedo. It seemed more like a party number rather than Halloween themed and all the elements didn’t quite come together.
Emma Weymouth and Aljaž Škorjanec received a score of 30 (6+8+8+8).
Our Score: 6
Elena
Strictly Review: Alex Scott and Neil Jones
Strictly Come Dancing contestant Alex Scott with her professional partner Neil Jones leaped back up the leader board this week with their Charleston where head judge Shirley Ballas commented “That was your best dance to date’’.
Strictly Come Dancing contestant Alex Scott with her professional partner Neil Jones leaped back up the leader board this week with their Charleston where head judge Shirley Ballas commented “That was your best dance to date’’.
On Saturday night, the ex-professional footballer danced a Charleston to ‘Pump Up the Jam’, an Electro Swing cover by the Sicilian band Swingrowers. Choreographed by Jenny Thomas, the theme was a modern twist on the Charleston and included some great content.
Dressed in black and white the couple quickly got into their routine with Flapper Walks, Butterfly Twists and Heel Flicks followed by Charlestons facing each other with kicks. Before the lift there was a body isolation sequence where Neil made a mistake and momentarily forgets the routine at 0:39. However, they get straight back into with a lovely travelling Lindy Hop section at 0:47 followed by a Charleston, three Fall on the Logs, two Jumping Heel Clicks, Pushes and a Lock Turn. Compared to the other Charleston routines on the show we have already seen heaps of classic steps.
After the second lift at 1min they run onto the raised level where there is a mix of Charleston steps with a lift and some Hip Hop stylised moves which works really well with the music.
Once back on the floor, they carry on with a some Flapper Walks, a Forward/Backward Roll then back to their final position which mirrors the opening pose.
For me, this is the best Charleston of the series so far. Firstly, the costume, music, set design and lighting really capture a contemporary Charleston feel and sets the scene perfectly. Secondly, Alex obviously likes the song they have been given which gets her out of her shell and into character. She uses her faces, looking like she is having fun. I often have used this song in class and is always a real crowd pleaser.
I also liked that they had some sections in hold when Neil moved Alex across the floor at 0:45 and it was jam packed full of great Charleston steps from start to finish. If they were to dance this again, I think Alex could exaggerate her movements more to match Neil and extend her arms so the lines are crisp and clear. I think choreographer Jenny Thomas and her assistant Sean Moon did a fantastic job with his one.
Shirly Ballas commented “Control from the beginning when you walked on stage to when you left it’’ and “ I have to say you have a lovely dynamic between you’’ Shirley went on to offer Alex and Neil a eight for their performance.
Craig Revel Horwood, Motsi Mabuse gave them the same and stand-in judge Alfonso Ribeiro scored them a nine.
Our Score: 8
Elena
Strictly Review: Catherine Tyldesley and Johannes Radebe
Catherine Tyldesley, actress, with her professional dance partner Johannes Radebe danced their Charleston to Beyonce’s hit single Single Ladies. Both wearing fuchsia pink outfits their performance was set in a nail bar with plenty of energy and sass, but did it deserve 30 points?
Catherine Tyldesley, actress, with her professional dance partner Johannes Radebe danced their Charleston to Beyonce’s hit single Single Ladies. Both wearing fuchsia pink outfits their performance was set in a nail bar with plenty of energy and sass, but did it deserve 30 points?
Having done some research into the routine, this week’s choreographer was Jenny Thomas who specialises in Charleston & Lindy Hop. Coincidentally, she also choreographed Michelle Visage’s Salsa, so I was excited to see what she had put together for the couple.
The routine starts with Catherine having her nails done by Johannes with some arm movement. They both then take to the floor and bust out Flapper Walks, Charleston and a Lock Turn. From there, they quickly move into Cake Walk style steps and a lift.
The next section is a bit random, and looks more like a ‘disco dance’ sequence until they break back into the Tick Tock and the Spank the Baby variation at 0:48.
After another Charleston, they dance a few sassy walks. At this point, Johannes is stealing the show with all his energy. He looks like he is about to break out into a fierce Vogueing (I wish he did!). They manage a Scarecrow at 1:08 mixed between disco moves and little Beyonce homage. Towards the end of the routine, we see Heel Flicks before it breaks into a Lindy hop style move with a lift and final pose.
I’m not really sure what to make of this routine. The theme and the Beyonce tribute were very clear. I loved all the attitude Johannes brought to the dance and it was very enjoyable to watch. However, in terms of content, it lacked a lot of Charleston basics and it barely had a single thing in hold. The Charlestons so far this series have very much been duets rather than partner dances and I would like to have seen more partner moves. I also felt they could have made the ‘disco dancing’ sections more stylised and included a few more classic steps.
The response from the judges was quite mixed. Motsi Mabuse was positive, commenting “You kept it up girl! Honestly, I was a bit worried, fast music, fast steps, really really energetic”.
Meanwhile Craig Revel Horwood commented: “I thought the footwork was quite random and quite messy in places. The swivel was also haphazard. “When you’re dancing next to Johannes is a nightmare because he is so sharp and on it. You can see the difference, you either need to tone it down or pick it up.
“I know if you had a second attempt at that dance, it would be amazing,” he concluded.
Catherine total score was 30. A six from Craig, and three eights from Motisi, Shirley and Bruno.
Our Score: 6
Strictly Review: Kelvin Fletcher and Oti Mabuse vs Anneka Rice and Kevin Clifton
Last weekend it was Movie Week on Strictly Come Dancing and we were treated to not one, but two Charlestons. Actor Kelvin Fletcher and his dance partner Oti Mabuse scored an almost perfect score which included two 10s whilst Anneka Rice and Kevin Clifton were voted off the show. Do you agree with the results and the scores? Let’s taken a deeper look at each dance.
Last weekend it was Movie Week on Strictly Come Dancing and we were treated to not one, but two Charlestons. Actor Kelvin Fletcher and his dance partner Oti Mabuse scored an almost perfect score which included two 10s whilst Anneka Rice and Kevin Clifton were voted off the show. Do you agree with the results and the scores? Let’s taken a deeper look at each dance.
First up, was Kelvin and Oti. Before I go into the critique of the routine and the actual choreography I would like to say that Kelvin is obviously a very talented dancer clearly with a dance background. They executed the routine perfectly with leaps of character. Out of all the themes from the night the routine, music and costume came together the best.
My niggle with this dance is that it felt more like a Couple’s Choice routine rather than a Charleston. This is not a criticism on the performers but the choreographer, Matt Flint, who didn’t include that much actual Charleston content.
If we look more closely at the routine, the first 25 seconds is scene setting. At 0:26, there are some Flapper Walks forwards then more scene setting and dancing around the lamp posts but they don’t break into their dance section until 0:54 and the first Charleston doesn’t happen until 1 mins which is quite a long time to wait. After the Charleston they go into a series of lifts followed by Charlestons to the front with jumps at 1:10. The only other classic Charleston moves we see are Bunny Hops at 1:25, a few kicks at 1:30 and at the very end a Hitchhike into a mini Boogie Drop with toe taps into flapper walks and cartwheel.
There are so many great Charleston moves you can use to travel around the stage, to dance in hold and on the spot that there was not enough content in this routine for me. It felt more like a Modern Jazz routine with a dash of Charleston.
Judges: 9+9+10+10
Our Score: 8
Moving onto Anneka and Kevin, this routine was far too fast for a novice dancer and she really struggled to execute the moves. The same choreographer, Matt Flint, opened the routine with a weird stick flight then they broke into the Charleston, Butterfly Swivels and Helicopters but she really struggled to keep up with the speed. After some more stick flighting, they break into a lindyhop style Charleston with some side-to-side Charlestons but she very stiff and uncomfortable throughout the whole section. There are some Bunny Hops in hold at 1:22 but Anneka loses steam at the end with the Butterflies next to the orchestra which precedes the final position.
Kevin is one of my favourite Strictly dancers and the critique is not of them but more of the production team behind it who gave her a weak theme, difficult music and a tempo which was too fast for her. Previous Charlestons on Movie Week have included for example Bugsy Malone which is much more in keeping with the style of Charleston so I think she got given the short straw which exposed her lack of dance experience.
Judges scores 2+3++3+3
Our Score: 3
Elena
Strictly Review: Chris Ramsey and Karen Hauer
Strictly is back and each week we will be taking an in-depth look at the Charleston performed on the show. First up is Comedian Chris Ramsey with his professional partner Karen Hauer.
Strictly Come Dancing is back and each week we will be taking an in-depth look at the Charleston performed on the show. First up is Comedian Chris Ramsey with his professional partner Karen Hauer.
The storyline is of two neighbours, Chris who is in love with the girl next door Karen and he goes on a mission to impress her. The set is fluorescent houses and the routine music is to Take That’s ‘Out of our Heads’.
The routine begins with Chris jumping over his garden fence to greet Karen with a series of spins, Butterfly Swivels and Charleston kicks. The Charleston break comes in on the chorus with the pair facing forward with a basic Charleston, Lindyhop Charleston and a Tick Tock step.
After the wow moves of the lifts, the pair step into a Kick Charleston variation with a jump at 1:00 which is my favourite part of the choreography followed by Karen spinning on the floor and a nice side to side move together.
Chris follows this with a slightly strange cartwheel and then they repeat the chorus with the Charleston and a kick variation which was too hard for him. The choreographers should have cut this move as it doesn’t really work. The final move to finish the routine is another weird Cartwheel from him and a lift.
The strength in this routine is in Chris's personality, he is a comedian so the style of the cheeky chap suits him. He genuinely looks like he is enjoying himself and really trying to use his face. He is not a particularly strong dancer but he exeutes most of the steps well. However, the more technical kicks at 1:23 should have been taken out as they expose him. The cartwheel also shows he is a bit wobbly on technique.
Although it was a bit clumsy in some areas there was some brilliant swivel and he is the one who has improved the most from week. There is also a nice storytelling, great set and costume. I was quite dubious about the music but works quite nicely and would appeal to a mass audience.
The next step for Chris to work more on the face and keep the energy up so it doesn’t look like he is lacking behind the pro. Our top tip for Chris is to be more relaxed when he dances so it doesn’t look too stiff in shoulders and his face won’t get frozen into one expression. Overall, very good effort especially as he is brand new to dancing.
Judges Score: 5+7+7+7=26
Our Score: 6