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Strictly Review: Sarah Hadland and Vito Coppola
Last Saturday, Strictly Come Dancing presented their Night at the Musicals, This week’s Charleston routine was choreographed by Tommy Franzén and Lizzie Gough, and it was Actress Sarah Hadland and her professional partner Vito Coppola’s turn to dance the Charleston set to the tune ‘Popular’ from the West End stage show Wicked! Did you agree with the score 38/40?
Last Saturday, Strictly Come Dancing presented their Night at the Musicals, where we were treated to all things theatre; ranging from a Mary Poppins themed Viennese Waltz set to the tune Let’s Go Fly a Kite, to an Argentine Tango to the track Ex Wives from SIX the Musical!
This week’s Charleston routine was choreographed by Tommy Franzén and Lizzie Gough, and it was Actress Sarah Hadland and her professional partner Vito Coppola’s turn to celebrate all things Jazz Hands, with a Charleston set to the tune ‘Popular’ from the West End stage show Wicked!
TV presenter Tess Daly, said there has “Never been this many 10s from the judges going into the quarter final before.” So will this theatre themed Charleston add the number and make it increase, or will it be banished away on a broomstick- never to grace the Strictly Ballroom again?
Let’s find out...
The routine opens with Sarah dressed as the Good Witch Glinda, sat in her bedroom quoting a line from the West End performance- perfectly setting the scene for the audience. After a few bars of music, she joins Vito sat on the bed- further establishing the characters and the scene.
The opening was just perfect, with the magic wand being wafted causing Vito to move in time with the music; further adding to the Musical’s theme!
At 0:45, the pair use their character as Glinda and Elphaba to fly straight into the Charleston spirit, with Basic 20s Swivels, Heel Flicks, and a Jazzy walk. Soon after, the pair came together for their first of many impressive lifts- where Vito sweeps Sarah off the ground and tumbles her through the air; perfectly emulating the scene from the stage show.
Later on, at 1:14, the couple complete a further complex lift- leaving the audience screaming with excitement.
After a few hair flicks Sarah completes a series of solo 20s Charleston steps, Birdie Flaps, Suzy Qs, Kicks, Flicks, and a Squat Charleston. (you can learn how to Squat Charleston here).
Further on, the couple simultaneously complete a mini comedic sketch; adding to the classic Charleston vibe, before Vito swings Sarah up-side-down in one swift motion!
Nearing the end of the routine, Sarah and Vito come together to complete another spell-bounding lift, where Sarah is swung from side-to-side imitating a pendulum; after which they had just enough time for a few 30s style Charlestons before Vito Leap-Frogs over Sarah’s head, and they resume their final poses; where they were met with an eruption of applause from both the audience and their fellow contestants.
To begin with, I was sceptical about a Wicked theme Charleston, because I just really love a traditional Jazz song. However, I was blown away by the standard and finesse that this routine possessed. It was clear from the outset that Sarah’s passion and drive to do well, really were at the forefront and her energy was just infectious– making it impossible not to smile throughout. The lifts were also crazy cool- I LOVED every second!
It is clear that I was not alone in my opinions, as one critic exclaimed that they are “Absolutely obsessed with this couple” and another “Could not believe” how the pair managed to dance a Charleston that was “Unconventionally conventional” with regards to partnering music and style.
It seems the Judges were also in agreement with this as Motsi Mabuse shouted “Yes, yes, yes- what a way to open the quarter finals. Thank you for setting the standard today” which Head Judge Shirey then echoed when she exclaimed “Your lifts were flawless.” Anton Du Beke also shares how this routine was a “Wonderful piece of musical theatre, and if [they] were to lift this Charleston into the Show, it would fit right in” which is a wonderful compliment to receive this far into the competition.
Due to this high praise and the fantastic comments that the couple received, they have managed to successfully swivel their way into next week’s Semi-Finals. Whilst Montell Douglas and Johannes Radebe found themselves in the bottom two for the second week running and were unfortunately the next couple to leave the competition.
Scores:
Craig Revel Horwood - 9
Motsi Mabuse – 9
Shirley Ballas – 10
Anton Du Beke – 10
MyCharleston – 9
By: Eleanor O’Donnell
Videos: What's on 2025
Our new term of the year begins on 6th Jan, watch all the previews here!
Swivel into the New Year with our exciting dance courses starting this January
Our new term of the year begins on 6th Jan, watch all the previews here!
CHARLESTON COURSE - YES SIR! THAT’S MY BABY
BRIGHTON & HOVE LEWES PORTSMOUTH ONLINE
EASTBOURNE
Start the New Year with style with our brand new Charleston course, set to the classic 1920s track ‘Yes Sir! That’s My Baby’ Kicking off on 6th Jan both in-studio and online.
Online - 6 Jan,6pm BST
Brighton - 6 Jan, 7:30pm The Dance Space
Hove PM- 7 Jan, Open Space Studios
Lewes- 7 Jan 6:30pm, The BodyWorkshop
Porstmouth 7 Jan, 7:30pm, CourtX
Eastbourne - 8 Jan, 6:30pm, Leaf Hal
Hove am, 9 Jan, 10:30am, Open Space Studios
MUSICALS COURSE - LA LA LAND
Another Day of Sun
HOVE ONLINE
We are bringing some Hollywood sunshine to the studio this January this our brand new Musicals Course ‘Another Day of Sun’ from the hit movie La La Land. This uplifting piece of music is bound to shake of those winter blues.
Course available online and instudio
6 Jan - 7pm GMT - Via Zoom
7 Jan - 7pm - Open Space Studios, Hove
PARTNER CHARLESTON
9 Jan- Open Space Studios, 6pm - 6 week course
Take a look at what's in store in our 1920s Partner Charleston Course which runs every Thursday at 6pm. If you fancy giving it a go, you can sign up to the next course either as a pair or solo dancer and join us from 9 Jan for the next course
INTERMEDIATE CHARLESTON
BOOK NOW
9th Jan - Open Space Studios, 7pm - 6 week course
Master the advanced steps of 1920s Charleston and learn a detailed choreographed routine in our 6 week dance course. This term the routine is themed around a Marching Band
Strictly Review:JB Gill and Lauren Oakley
Last Saturday on Strictly it was JB Gill and professional partner Lauren Oakley’s turn to dance the Charleston set to the tune “Yes Sir That’s My Baby” by the Firehouse Five Plus Two which scored them 39 points. What did you think? Did you agree with the scores?
With only one week to go until the Quarter Finals of the series, last Saturday, it was 2000s boyband member of JLS; JB Gill, and professional partner Lauren Oakley’s turn to dance a traditional Charleston set to the tune “Yes Sir That’s My Baby” by the Firehouse Five Plus Two (an iconic track for an iconic dance!!)
The routine was choreographed by the wonderful Jenny Thomas (check out her Instagram here) and click this link if you would like to sign up to our Charleston Masterclass with Jenny on the 22nd and 23rd March in Brighton and Hove.
This Charleston routine had everything a 1920s fan could ask for. From the choreography and the music to the cheekiness in its style; Craig Revel Horwood could not praise it higher.
It seems that JB and Lauren had a very successful night, with a high score of 39, and being the winners of Sambathon!
But what did you think? Do you prefer the traditional 20s Charlestons, or are you more of the mindset that the previous, more unconventional ones worked best? We would love to hear your thoughts!
The routine opens with a hologram scene of New York taxi cabs, with JB and Lauren flagging them down- really setting the American 20s vibe from the outset.
After a few opening bars of music, the pair spring into action, and immediately break into classic 1920s Charleston Swivels in perfect unison, followed by Silly Runs, and Charleston Kicks- all the classic moves that we all know and love!
At 0:30, without hesitation, the pair complete a rather impressive lift, swiftly followed by a short-Partnered Sequence consisting of further Kicks, Suzy Qs, Knocky Knees, and a Windmill (also known as a Helicopter- you can learn to dance this move here).
Later on, the couple complete a Fall-Off-The-Log, another impressive Lift, and a momentary pause for a quick ‘Break Dance’ break!
At 1:04, Scarecrows, Pushes, Kick Charlestons are completed; after which JB throws Lauren high into the air and over his shoulder in a complex lift- leaving the audience ecstatic. Then the couple seamlessly come into further Basic Charleston Swivels in hold, Birdie Flaps, the Running Man, and an Assisted Cartwheel.
Nearing the end of the routine, the pair then complete a series of flawless Side-To-Side Charlestons (My favourite move EVER!), Tick-Tocks, and a quick Spin before coming into their final pose- not forgetting the Jazz Hands!
In my opinion, this routine was full of authenticity, and it has to be up there with one of my favourite Charleston routines ever- it was just pure joy and I sobbed throughout! The choice of song was also incredibly nostalgic for me, as this was one of the first songs that I danced to when I first joined MyCharleston 5 years ago (watch the routine here). It is clear that I am not alone in thinking this dance deserved top marks, as one critic commented that this routine was, “Full of joy and using traditional music makes all the difference- JB looks like a winner” and another exclaimed, “Yes Sir, That’s my JB!”
It seems the Judges also enjoyed JB and Lauren’s Charleston as Head Judge Shirley commented on how the “Synchronicity was off the charts” and Craig agreed, stating it was “Pure class.” Motsi Mabuse echoed this stating the routine had the “Right Swag,” and Anton Du Beke thought the “20s American style [was] brilliant and stylish!”
As a result of these positive comments, and high scores; the pair have successfully swivelled their into next week’s Quarter Finals!
Scores:
Craig Revel Horwood - 9
Motsi Mabuse – 10
Shirley Ballas – 10
Anton Du Beke – 10
MyCharleston – 10
By: Eleanor O’Donnell
Strictly Review: Wynne Evans & Katya Jones
Last Saturday, Strictly Come Dancing aired their annual Blackpool special, where we were treated to the 3rd Charleston of the series. With all the glitz and glamour of the Blackpool Tower Ballroom, Welsh Opera Singer and ‘Go.Compare’ Man Wynne Evans and professional partner Katya Jones’ danced an alternative Charleston set to the tune “Carmen Suite No. 1: 5. Le Toreador” by Georges Bizet.
Last Saturday, Strictly Come Dancing aired their annual Blackpool special, where we were treated to the 3rd Charleston of the series. With all the glitz and glamour of the Blackpool Tower Ballroom, Welsh Opera Singer and ‘Go.Compare’ Man Wynne Evans and professional partner Katya Jones’ danced an alternative Charleston set to the tune “Carmen Suite No. 1: 5. Le Toreador” by Georges Bizet.
The routine was choreographed by the wonderful Jenny Thomas (check out her Instagram here) and click this link if you would like to sign up to our Charleston Masterclass with Jenny on the 22nd & 23rd March in Brighton.
Although this routine was unconventional in style, what with it being a Spanish inspired piece, Motsi Mabuse thought it “[told] a story of dance.” But what did you think? Do you prefer these alternative, more unconventional themed Charleston routines, or are you more of the mindset that 20s/30s is best? We would love to hear your thoughts!
The routine opens with Katya and her back-up dancers walking to their opening positions, adorned with traditional red outfits and giant fans, before Wynne brings the comedy with his debut entrance riding upon a hobby horse- wearing the biggest smile the Strictly Ballroom has ever seen!
At 0:19, still riding on his horse, Wynne completes a series of basic Charleston Swivels, before Katya and her entourage of dancers join him for a Partnered Charleston in hold, heel flicks, and a Paso Doble-esque inspired dance break.
Later on, the pair then complete a rather impressive lift, after which Katya is briefly set upon the ground, before being hurled into the air once more-much to the delight of the audience.
At 0:55, the pair use the backing dancers for their Assisted Cartwheels, as Katya is thrown upside-down, and passed along a row of dancers where Wynne lifts her up to yet another astonishing height. At this point, the audience has erupted into a crescendo of applause in support of the entertaining element of this dance.
Later on, a further Paso Doble sequence is completed, shortly followed by a series of Charleston Kick and Flicks in hold, Trucking, and Tick Tocks- therefore brining some authentic Charleston flare!
Nearing the end, Wynne and Katya come together for a rather theatrical lift- to which a not-so graceful ending occurs as Wynne plonks is partner onto the floor.
Finally, Wynne grabs Katya by the ankles causing her to fly higher and higher into the air as they spin at great speed before coming together for their final pose!
It is clear that the pair really enjoyed performing this routine in the Blackpool Tower Ballroom, and many members of the audience loved it too- so much so that many gave a standing ovation.
In my opinion, although it was super entertaining enough and the choreography was beautifully pieced together, the whole routine did not scream CHARLESTON! However, it seems that I am alone in my thinking this as one critic explained that it “Felt like a funny Paso Doble parody routine for comedy- I LOVED it!” and other stated that there was “Nice Flapper action throughout, the lifts were crazy, and I am literally obsessed!”
It seems the Judges also enjoyed Wynne and Katya’s Charleston as Head Judge Shirley commented on how it is a “Katya Special [with] all the lifts and tricks- it was highly entertaining” and Motsi and Craig were also in agreement with “An extra mark [needing] to be given for the high energy all the way through!”
Despite these positive comments from both the Judges and the Critics, Wynne and Katya found themselves in the bottom two of the leader-board with a score of 31, and as a result, found themselves in the dreaded Dance Off against Montell Douglas and Johannes Radebe.
Unfortunately, due to a few issues with his technique, Wynne and Katya are the next couple to leave the Strictly Come Dancing Competition, 2024.
Scores:
Craig Revel Horwood - 7
Motsi Mabuse – 8
Shirley Ballas – 8
Anton Du Beke – 8
MyCharleston – 7
By: Eleanor O’Donnell
1920s Partner Charleston
Charleston is famous as a solo dance, so when my business partner Elena suggested we developed a course in Partner Charleston I was sceptical. Twenties Charleston is just a tap and a step, could we keep the essence of that footwork and create a dance which felt interesting and varied? One year on, we have successfully created seven Partner Charleston dances, which both look and feel great to dance.
Charleston is famous as a solo dance, so when my business partner Elena suggested we developed a course in Partner Charleston I was sceptical. The concept of Partner Charleston was not alien to me, I had attended workshops and watched it on Strictly but I couldn’t help thinking it was a bit of a fudge.
There is a history to Partner Charleston; It developed after the original Charleston dance craze had seen it’s hey day. In the 1920’s The Ballroom Society had found women dancing solo quite scandalous and so they created a cleaned-up version of the Charleston which was danced with a partner. The early jazz music of the Twenties evolved, and with Swing came the Lindy Hop dance. Lindy Hoppers danced a new style of Charleston, the footwork is more complex and it can be danced with a Partner or Solo.
Fast forward to the 2020’s and we had a big historical palate of Partner Charleston dance moves which we could copy and paste. But deep down I was still worried people would look at Partner Charleston and say “That’s not a thing”. Twenties Charleston is just a tap and a step, could we keep the essence of that footwork and create a dance which felt interesting and varied? One year on, we have successfully created seven Partner Charleston dances, which both look and feel great to dance.
When couples decide they want to learn to dance, the desired outcome is normally the ability to be able to dance together. Whether it’s in their kitchen or at social occasion they’ll need to know some basic moves. Dance should be enjoyable and achievable, and the Charleston is both. The basic ‘Tap, Step’ footwork is quick to learn add some double taps with some walks and you have enough of a dance vocabulary to last a whole tune.
There is a difference between performed couple dancing and improvised dancing. Those perfectly executed moves you see on Strictly have been choreographed and rehearsed over and over until they are performance ready. In social dance forms such as Swing or Tango the emphasis is on improvisation, both you and your partner need know the moves so you can converse through language of dance. This is a skill which takes a lot of practice, the best Follow in the world is not psychic! For Leads, the pressure is on to know all the moves, execute them clearly and to be creative.
I have learnt both approaches and decided MyCharleston could offer a blend of the two. In the six-week courses we run we divide the lesson into two halves. Firstly, we teach Leads and follows two or three dance moves. We focus on how the Lead gives signals and how the Follow responds. We then put on some music and encourage dancers to play with those moves by changing the number they do or the order in which they happen, so it becomes a true improvisation.
The moves they have learnt are then incorporated into a choreographed routine which they learn in the second part of the lesson. Each week we build upon the vocabulary of moves and the choreography so by the end of the course students know a full routine, which they can dance together. Part of MyCharleston teaching practice is to give students a clear and achievable goal. Learning a dance routine allows students to progress the knowledge week by week. The outcome is a full dance routine and an opportunity to dress-up and film the routine.
Creating the Partner Charleston routines opened our eyes to how much you can do with the basic ‘Tap, Step’ footwork. Once you have mastered the Charleston, you can play with variations. In this video tutorial we show how to do ‘Closed Swivels’ and ‘Open Swivels’. The footwork is still “Tap, Step” with changes of direction and use of counter weight to create a ‘bounce back’ between the dance partners, which feels great!
Keeping the playful character of Twenties Charleston was important to us. Dance that becomes predominantly technique can lose its sense of fun. People learn best through play, it keeps the learning light but you still gain the skills. By adding dance moves which are normally done solo it allowed us to break away from the constant ‘Tap, Step’ footwork and add a new dynamic to the Choreography. These moves work well for Choreographed routines and as they capture the Twenties dance style. In this tutorial we teach two classic moves called “Heel Flicks’ and Bunny Hops”
Partner dance would be nothing if you didn’t add some turns or spins, it’s just such a great feeling and they look brilliant. Once you know the Charleston you can easily add a turn and the footwork is identical. There is no rule in Charleston that only Follows get to do turns, so Leads also get a spin on the dance floor. In this video tutorial we teach you a ‘Call and Response’ Turning sequence, in which one person turns and then the other.
My top tip for anyone looking to Partner dance is think about how you treat your partner. Be kind, patient and don’t get too serious. Through fun and lightness, you will find your dancing feet together. To book the next course click the button below
Videos: Watch our Musicals Routines
We love a musical and we're taught many routines on our course from shows such as Chicago, Cabaret, Anything Goes, Thoroughly Modern Millie and West Side Story. You can take a look at past routines to get an idea of what we've taught and how fun they are! We’ve a whooping 13 routines to date!
We love a musical and we're taught many routines on our course from shows such as Chicago, Cabaret, Anything Goes, Thoroughly Modern Millie and West Side Story. You can take a look at past routines to get an idea of what we've taught and how fun they are! We’ve a whooping 14 routines to date!
Rhythm of Life - Sweet Charity
All That Jazz
America - West Side Story
Bad Guys - Bugsy Malone
Mein Herr- Cabaret
Hot Honey Rag - Chicago
Thoroughly Modern Millie
Fat Sam’s Grand Slam
All I do - Singin’ in the Rain
Jet Song - West Side Story
Rich Man’s Frug
Anything Goes
One, Singular Sensation - Chorus Line
Me Ol’Bamboo - Chitty Chitty Bang Bang
Tea for Two
Strictly Charleston Review: Nick Knowles & Tasha Ghouri
After a year long wait, Strictly Come Dancing has finally returned to our screens for their 22nd Series and last Saturday we were treated to not one but two Charleston routines! Both dances have received mixed opinions from both the audience and the judges, but which was your favourite?
After a yearlong wait, Strictly Come Dancing has finally returned to our screens for their 22nd Series and last Saturday we were treated to not one but two Charleston routines! Both dances have received mixed opinions from both the audience and the judges, but which was your favourite?
NICK KNOWLES AND LUBA MUSHTUK
First up we have DIY SOS presenter, Nick Knowles and his professional partner Luba Mushtuk, who danced an entertaining number to “Rain on the Roof” from Paddington 2. Although this week is not Movie Week, the couple were unable to perform the previous Saturday due to Nick’s injuries.
It appears that marmalade sandwiches are not everyone’s cup of tea, as the couple’s Charleston sparked controversy amongst the Strictly fandom; witch mixed opinions being shared. Even though some agreed with the lower scoring, others were quick to defend the pair, with one stating that Nick should be ‘given some slack due to his recent injury.’ But what do you think?
Watch their full routine here:
The routine opens with the couple setting the scene, with Luba emerging from the laundry basket- making direct reference to the film. The camera then pans to Nick and his Jazz Hands, completing a basic Charleston step, before the pair come together to complete Kick Charlestons, Inverted Scarecrows, and Bunny Hops. At 0:30, the couple continue with a sequence of ‘Mop-Ography’- adding comical value to the dance. At 0:58, some further partner work occurs, with a Side-to-Side Charleston, and a small lift. Later on further Kicks, Umbrella-Ography, and Jazzy celebratory runs occur before the pair come together for their final pose; and Nick enjoys a sandwich.
In my opinion, although it was entertaining to watch, this Charleston lacked substance and, as a result, it was a little bit boring as I felt Nick could have used his facial expressions to bring a bit of cheekiness to the Charleston. However, with that being said, I think Nick did extremely well to perform despite his injuries.
It seems I am not alone in thinking this, because one critic stated that the dance “needed more energy and more life,” however, opposing this; another stated “[His] efforts deserved that marmalade sandwich.”
It is clear that the Judges had the same view as Head Judge Shirley commented on how “[He] missed out on the sense of freedom” and Craig (who choreographed the routine in the film) stated that there was “no comparison unfortunately.”
Due to these comments, Nick and Luba found themselves in the dreaded Dance Off on Sunday evening, and although Nick took the Judges comments into consideration, it wasn’t quite enough to save them from leaving the competition.
Scores:
Craig Revel Horwood - 4
Motsi Mabuse – 6
Shirley Ballas – 5
Anton Du Beke – 6
MyCharleston – 5
TASHA GHOURI AND ALIAZ SKORIANEZ
Next up, we have Social Media Star and Love Island contestant Tasha Ghouri and her professional partner Aliaz Skorianez, who closed the show with a Coachella- themed Country Charleston set to the tune “UNHEALTHY” by Anne-Marie and Shania Twain and choreographed by the wonderful Jenny Thomas (check out her Instagram here.) Although unconventional with regards to theme and song choice, the audience seemed to really enjoy this Charleston, with one going as far to say that “it was perfection, [and] it is nice to have a break from the usual Jazzy routines.”
Do you prefer a more traditional Charleston, or are you in agreement with the critics relief from Jazz and though this routine deserved it’s high score? Let’s take a closer look…
Watch their full routine here:
The routine opens with the pair posing for pictures with selfie-sticks, and after only a few bars of music, they immediately go into a lift, followed by Charleston swivels, partner sequences, and a twirl. At 0:46, the couple then come together for some ‘Selfie-Stick-Ography’ and a further impressive lift; leaving the audience erupting with applause. Later on, the couple are in perfect synchronisation with their country-inspired moves, Suzy-Qs, Charlie Chaplin’s, Hitchhikes, and the SPLITS!
To conclude the routine, the pair have just enough time for a few Trucks, Side-to-Side Charlestons, and a lift before coming together for their final position.
I must admit, when I first heard about the theme of this Charleston, I was a little sceptical because I worried that the authenticity of the original Charleston would be lost. Whilst I felt this was the case for the theme, I think Tasha is an incredible dancer, and I LOVED the routine and the choreography as it really captured the fun and cheeky Charleston that we all know and love. It is clear that many others shared similar views, with one critic sharing that it was “the BEST dance of the series so far!”
The Judges also enjoyed this number as Tasha and Aliaz were the highest scoring couple of the night, and left Head Judge Shirley exploding with complimentary remarks, exclaiming how she “Could not fault it” and Motsi sharing a similar view with “FAB-U-LOUS!”
As a result, this highly scoring routine of 39, sent the couple safely swivelling into next week!
Scores:
Craig Revel Horwood - 9
Motsi Mabuse – 10
Shirley Ballas – 10
Anton Du Beke – 10
MyCharleston – 9
By: Eleanor O’Donnell
Videos: What's on this November
Our new term of the year begins on 4th Nov, watch all the previews here!
swivel into the next season with our exciting dance courses starting this November
Our new term of the year begins on 4th Nov, watch all the previews here!
CHARLESTON COURSE - PENNIES FROM HEAVEN
BRIGHTON & HOVE LEWES PORTSMOUTH ONLINe
Eastbourne
Step into the cooler months with our brand new Charleston course, set to the lively tune of Pennies from Heaven! Kicking off on 4th November, this umbrella-themed dance class is sure to brighten your day, rain or shine.
Online - 4th Nov,6pm BST
Brighton - 4 Nov, 7:30pm The Dance Space
Hove PM- 5th Nov,, Open Space Studios
Lewes- 12 Nov 6:30pm, The BodyWorkshop
Porstmouth 5th Nov, 7:30pm, CourtX
Eastbourne - 6th Nov, 6:30pm, Leaf Hal
Hove am, 7th Nov, 10:30am, Open Space Studios
MUSICALS COURSE - BAD GUYS
bugsy Malon
HOVE ONLINe
After many requests we are bringing back our Bugsy Malone themed routine to 'Bad Guys' for our final term of the year. This course will be available online and in-studio on the following dates:
4th Nov - 7pm GMT - Via Zoom
5th Nov - 7pm - Open Space Studios, Hove
PARTNER CHARLESTON
7th Nov- Open Space Studios, 6pm - 6 week course
ake a look at what's in store in our 1920s Partner Charleston Course which runs every Thursday at 6pm. If you fancy giving it a go, you can sign up to the next course either as a pair or solo dancer and join us from 7th Nov for the next course
INTERMEDIATE CHARLESTON - Hold TIGHT
BOOK NOW
7th Nov - Open Space Studios, 7pm - 6 week course
Get ready to 'Hold Tight' for our next Intermediate course where we will be dancing some great Solo Jazz and Charleston choreography to this upbeat song by The Andrew Sisters. New term kicks starts 7th Nov at 7pm at Open Space Studios
Videos: What's on this September
Our new term of the year begins on September 9th, and all students participating this term are invited to perform at the MyCharleston Christmas Speakeasy on December 7th. In our Open Level Charleston Course, we'll be dancing to "The Charleston" by James P. Johnson, while the Intermediate group will take on the Black Bottom. Our Musicals Course will take you back to the 1970s with "Rhythm of Life," or you can explore the dynamic Partner Charleston to "I'll Always Be in Love with You." The new term is available both in-studio and online. Check out all the previews here!
swivel into the next season with our exciting dance courses starting this September
Our new term of the year begins on September 9th, and all students participating this term are invited to perform at the MyCharleston Christmas Speakeasy on December 7th. In our Open Level Charleston Course, we'll be dancing to "The Charleston" by James P. Johnson, while the Intermediate group will take on the Black Bottom. Our Musicals Course will take you back to the 1970s with "Rhythm of Life," or you can explore the dynamic Partner Charleston to "I'll Always Be in Love with You." The new term is available both in-studio and online. Check out all the previews here!
CHARLESTON COURSE - the charleston
BRIGHTON & HOVE LEWES PORTSMOUTH ONLINe
Eastbourne
Prepare to dance the iconic dance to the original song ‘The Charleston by‘ James P Johnson. Check out the timetable for each location below:
Online - 10 June, 6pm BST
Brighton - 9th Sept, 7:30pm The Dance Space
Hove PM- 10th 6pm, Open Space Studios
Lewes- 10th Sept 6:30pm, The BodyWorkshop
Porstmouth 10th Sept, 7:30pm, CourtX
Eastbourne - 10th Sept, 6:30pm, Leaf Hal
Hove PM- 13 June, 10:30AM, Open Space Studios
- Online 9 Sept 7pm with Fiona BST
- Studio - 10 Sept 7pm with Elena in Hove
PARTNER CHARLESTON
12 Sept- Open Space Studios, 6pm - 6 week course
For those new to the course we'll dive into the basics of Partner Charleston, focusing on the iconic 1920s Charleston steps and even stylish 1930s moves including Tandem Charleston, S-Turns and Hand to Hand Charleston. Our focus is getting you confident on the dance floor in both a social setting. Plus, you'll have the opportunity to learn a fantastic routine that'll have you dancing the night away!
INTERMEDIATE CHARLESTON - Black Bottom
BOOK NOW
12 Sept - Open Space Studios, 7pm - 6 week course
Learn the detailed and famous Black bottom dance from the Roaring 20s. we will mixing advanced Charleston steps with classic Black Bottom choreography to create a dynamic and memorable routine which you will love.
Videos: Watch the 'Sugar Foot Stomp' Routines
Watch the ‘Sugar Foot Stomp ‘ routine by all our groups over the third term the year 2024. This routine was taught across Brighton & Hove, Lewes, Eastbourne, Portsmouth, Holland, the Midlands and Online. Take a look at the final performances in class.
Watch the ‘Sugar Foot Stomp ‘ routine by all our groups over the third term the year 2024. This routine was taught across Brighton & Hove, Lewes, Eastbourne, Portsmouth, Holland, the Midlands and Online. Take a look at the final performances in class.