Meet Worthing Dance Teacher Rachel Hulme

Dance teacher Rachel Hulme teaches our Charleston dance classes at Dance House Studios in Worthing. She’s taught with us for over 6 years and is also a dancer and the choreographer for our performance troupe, Ragtime Rascals. Find out more about her by reading our Q&A.

Rachel teaching Worthing dance class

Why did you become a dance teacher?

When MyCharleston started classes in Hove (then called iCharleston Brighton). I was the first student to sign up to the classes. I remember it was a Boxing Day, in the pub and I had taken some time away from dancing to concentrate on my corporate career. I just needed to get my butt moving. After a short time of doing the courses with Fiona and Elena, they asked me to do some performances in the local community and we formed a performance troupe (Savoy Kicks). It naturally led on to covering some classes from time to time until I had my own dance class in Worthing.

What is it that you love about the teaching dance classes is Worthing?
I love that its often quite fast in pace and it has a lot of freedom to perform moves in different ways. There are a lot of variations for all ability’s or styles

Performance Troup Ragtime Rascals

 When did you get into dance and what style was it?
I think like many little girls my Mum took me first to ballet and tap. I always did well in tap but in ballet I was often told to stand still, I was just full of energy. After a few years of that a Disco (freestyle) class started up in the local community centre. I fell in love quickly with the fast music and the energy, ballet and tap were soon out the window. I competed in competitions until I was 18 when I took some professional opportunities. There have been many styles along the way from Latin & Ballroom to Krumping and West Coast Swing.

Rachel teacing a Worthing dance class

Where do you live and what do you do when you’re not dancing?
I live in Worthing and I have a full time corporate job in information security and data protection, when I am not working or dancing (which takes up most of my week) I do like a good Netflix binge or a good book. I also enjoy cooking and unfortunately eating.

 One fun fact about you?
I once entered a TV talent show (before the big boom of the many we have now). I was judged by Arlene Phillips and Wayne Sleep. Arlene Phillips description of me was “Averagely Average”. I am thinking of having this in my obituary when I die.  

Like to know more about Rachel? Read her blog post about her story Swapping Pom Poms for Pearls.

The Charleston 6 week dance course with Rachel takes place every Wednesday, 7pm at Dance House Studios, Worthing. Find our more about the course.

Strictly Review: Dan Walker and Nadiya Bychkova

Last Saturday, Musicals week blessed our TV screens, and we were treated to a jam-packed evening featuring some of the nation’s favourite musicals. From an opening number to the iconic “Cabaret” by Liza Minnelli to a couple’s choice to “On My Own” from Les Misérables- they had it all.

On Saturday, TV Presenter Dan Walker and professional partner Nadiya Bychkova were the lowest scoring couple of the night after dancing the Charleston to, “Good Morning” from Singin’ In The Rain.

It appears that Dan and Nadiya’s Charleston has caused controversy amongst the Strictly fandom with mixed opinions being shared about the dance. Even though some were in agreement with the higher scoring from the judges, many thought it was overmarked and one critic even stated that Dan’s dances, “[were] getting repetitive and past their sell-by-date.”

Do you think the couple deserved their score or are you more in agreement with the critics? Let’s take a closer look…

The routine begins with both Dan and Nadiya setting the scene in true Musical style and after a few bars of music, they break into Charleston Swivels, Kicks, Washy Windows, and a brief Piggy-Back section- as a result they received lots of whoops and cheers from the audience. At 0:59, we see the couple throw themselves into a lift, which left one critic stating that, “[they] have never seen Dan so confident before now.” The routine then progresses, and we see the couple complete a series of Knee Slaps, a Box Step and what Dan called “Sofa-ography,” followed by another lift. The routine ended with a quick set of perfectly synchronised Runs before both Dan and Nadiya take their final position on the sofa.

The choreographer behind this musical masterpiece was Jenny Thomas (check out her Instagram here) and her assistant Sean Moon. The routine that the pair created for Dan and Nadiya was well suited to Dan’s dancing abilities and not only allowed him to show-off his newfound confidence, but also perfectly captured what Musicals week is all about- having fun!

For me, I’m not really sure what to think of this routine as a whole. The characterisation that Dan portrayed was brilliant-especially his facial expressions and he was clearly enjoying being able to channel his inner Gene Kelly which was a pleasure to witness. However, even though I cannot pinpoint what it was, I also felt there was something missing from their Charleston. For this reason, I felt it prevented the dance from encapsulating the audience into a fully immersive musical experience, which I thought was a factor at the forefront of many of the other dances throughout the evening. That being said, I still really enjoyed their Charleston and the fact that Dan is a non-dancer and yet is inspiring other men to dance is something that I have huge respect for.

As a result, there were mixed opinions from the Judges. Head Judge Shirley joyously stated that, “from week 1 to week 9 [he] has pushed that performing element” and despite the slight technical hitch that the studio suffered, she thought it was, “[his] best dance so far.” This alongside Anton Du Beke statement that it is, “such a thrill to watch someone grow in the way that [Dan] has” highlights the sheer dedication that Dan possesses when faced with a new challenge every week.

Despite these positive comments, Cynthia Erivo (a stand in judge for Craig Revel-Horwood whom has unfortunately tested positive for COVID-19), provided Dan with some constructive criticism, stating that he needs to, “finish those lines because you have a partner who finishes everything/make sure everything is elongated.”

Even though the couple ended the evening at the bottom of the leader-board with a score of 31, they managed to narrowly miss the dance off and are able to confidently swivel their way into week 10.

Scores:

Cynthia Erivo - 7

Motsi Mabuse – 7

Shirley Ballas – 9

Anton Du Beke – 8

MyCharleston – 7

By: Eleanor O'Donnell

Fancy learning to dance the Charleston? The take a look at our January courses

Strictly Review: Rhys Stephenson and Nancy Xu

Last Saturday, we were treated to the highest scoring Charleston of the series so far. Strictly Come Dancing contestant and CBBC Presenter Rhys Stephenson and professional dancer Nancy Xu earned their spot at the top of the leader board after dancing the Charleston to “The Charleston” by Bob Wilson and his Varsity Rhythm Boys.

However, despite the fact the couple got top marks, some fans were upset by this scoring. Even though all four judges whipped out their 10 paddles, a few believed the dance to be overmarked and one critic even went as far to comment that it was, “nothing compared to AJ’s Charleston last week.”  

Do you think the couple deserved the perfect score or are you more in agreement with the harsh criticism? Let’s take a closer look…

The routine opens with both Rhys and Nancy setting the scene in a rowing boat. After a few bars of music, Charleston content is already at the forefront of this routine; therefore, immersing the audience into the 1920s spirit and preparing us for the jammed packed Charleston adventure the couple are about to embark on. Rhys begins with a solo and greets the audience with Charleston Swivels shortly followed by a Scarecrow, Charleston Runs and then a brief section in hold. At 0:50, we see the couple launch themselves into a nerve-wracking lift, leaving the audience awe inspired and one critic feeling as though, “[they] had time travelled back to the 1920s.” The routine then progresses, and we see the pair jump into Charlie Chaplin’s, Knocky Knees, Itches and then straight into a further series of complicated lifts. Nearing the end of the track, the tempo changes which results in the pair completing their final section at a faster pace, leaving one fan stating that, “despite this change they remained perfectly in synch” and another comparing the couple’s energy to the “Duracell bunny.”  The routine ended with a quick set of kicks before Rhys lifts Nancy into their final position.

The choreographer behind this masterpiece of a dance was Jenny Thomas (check out her Instagram here) and her assistant Sean Moon. The routine that they created for Rhys and Nancy really captured the essence of what the Charleston is all about. The choreography chosen was also well-suited to Rhys’ dancing abilities; therefore, allowing him to showcase his energy and technique to perfection.

For me, I thoroughly enjoyed watching this routine and, like many others, was thrilled when they got the 10s across the board. Rhys’ energy and performance skills were second to none and the fact that this is Nancy’s first ever partnership and perfect score; made it all the more special to watch.

As a result, the comments from the Judges were overall very positive and complimentary. Head Judge Shirley stated, “all [she] wants to do is just get up and dance with [Rhys]” and how he is the “king of side-by-side.” This alongside Motsi’s comment that, “this has to be the Charleston of the series [because] up until now, that is the best Charleston we have seen,” left the couple speechless. Even Craig could not stop himself from smiling as he told Rhys he thought it was, “Ah-Maz-Ing!”

Rhys and Nancy Flapper Walked their way to success with their leader board-topping score of the perfect 40; therefore, securing them a spot in next week’s Musical week.

Scores:

Craig Revel Horwood – 10

Motsi Mabuse – 10

Shirley Ballas – 10

Anton Du Beke – 10

MyCharleston – 10

By: Eleanor O’Donnell

Like to learn some of those Charleston steps? Then find out about our Charleston adult dance classes

MyCharleston Flash Mobs

They say dance is a gift, so I took that saying literally by creating a surprise dance flash mob for my sister’s 50th birthday party. Set to Queens’ Don’t Stop Me Now. I had a bit of a laugh choreographing interpretive dance moves which literally acted out the lyrics.

My big sister Siobhan has a huge group of friends who I got to know when we did the Friday night dance parties (truly a Lockdown silver lining) They are all fantastic dancers and were totally up for getting together on Zoom to learn the routine.

 When the big day dawned the heavens opened, it rained so heavily they had to build drains into the marquee to stop it leaking! The rain didn’t stop and having run around all day, I really felt for my sister and her husband Scott.

Guests arrived, drinks were poured and just as Siobhan announced the buffet food was ready we jumped up and danced our little socks off. The look on Siobhan and Scott’s face was a picture, they both visibly relaxed and party went into full flow. The best part for me was that the dance floor never emptied from that point on!

I love surprising friends with a dance flash mob, I did my first one to Fame at a friend’s 40th 10 years ago. I recently got a request from someone who said they no longer wanted to buy ‘things’ for people and so we are organising a dance party for her and her friends. I thought it was such a lovely idea and let’s face it dance is a great gift.

If you would like to a dance experience with MyCharleston then get in touch at hello@mycharlestondance.com or for more details about what else we offer visit Hire Us

By Fiona Ring

Strictly Review: AJ Odudu and Kai Widdrington

We are now halfway through the Strictly Come Dancing competition for 2021 and last Saturday, TV Presenter AJ Odudu and professional dancer Kai Widdrington were the highest scoring performers of the night after dancing the Charleston to, “Don’t Bring Lulu” by Dorothy Provine, Pinky, The Girls.

However, despite the couple swivelling their way to the top of the leader board, there has been an uproar across the Strictly fandom over their score from Craig Revel Horwood. Even though the other three judges whipped out their 10 paddles, Craig decided not to put his to good use.

Do you think the couple deserved the 10s or are you more in agreement with Craig? Let’s take a closer look as to why many felt they deserved top marks.

The routine opens with both AJ and Kai setting the scene with a throwback to the 1920s. After a few bars of music, the audience are immediately greeted with Charleston swivels, a Lift, Kicks and Cakewalks. At 0:42, we see the pair jump straight into a series of complicated lifts which further wowed the audience and leaving one viewer feeling as though, “[they] were living a 1920s Flapper girl dream.” The routine then progresses into a perfectly synchronised 30s Charleston, a sequence of Suzy Qs followed by a Waterfall, Knocky Knees, Helicopters and Truckin’. The routine ended with a quick shimmy before Kai lifts AJ into their final position.

The choreographer behind this amazing dance was Jenny Thomas and her assistant Sean Moon. The routine that they created for AJ and Kai really captured the authenticity of the Charleston and included a great mixture of classic Charleston steps and trick moves; overall producing a brilliant 1920s routine of which was extremely fun to watch. I would also recommend checking out Jenny’s Instagram to find out about her work.

For me, I thoroughly enjoyed watching this routine and, like many others, was shocked by the fact they did not get a perfect score. AJ’s energy and characterisation could not be faulted as she kept it up and gave 100% right through to the very end. The synchronisation was just absolute perfection and left one critic stating, “It felt like [they were] watching something out of the Great Gatsby.”

As a result of their great performance, the Judges’ comments were full of praise and admiration for the pair. Head Judge Shirley Ballas, “did not have a paddle big enough” as she thought the couple’s Charleston was, “absolutely off the charts,” this, alongside the fact that Motsi, “loved it, loved it, loved it, loved it” induced AJ to happy tears. Furthermore, Anton Du Beke compared AJ to, “Josephine Baker” which could just be the highest compliment a Charleston Dancer could ever receive.

Despite AJ saying she was, “losing confidence” and the Charleston was, “physically challenging” the couple swivelled their way to success with their leader board topping score of 39; therefore, securing them a spot in week 8.

Scores:

Craig Revel Horwood – 9

Motsi Mabuse – 10

Shirley Ballas – 10

Anton Du Beke – 10

MyCharleston – 10

 By Eleanor O’Donnell

Strictly Review: John Whaite and Johannes Radebe

Last Saturday, Strictly Come Dancing contestant John Whaite looked ecstatic after his Charleston performance with dance partner Johannes Radebe. The pair were the highest scoring performers of the night after dancing the Charleston to, “Milord” by Édith Piaf.

John and Johannes have made history being the first male same-sex couple participating in Strictly. With their Charleston set in a French Bakery, they delivered a cheeky and entertaining number which secured them a high score of 38, but do you agree? 

The choreographer for this routine was Jenny Thomas, alongside her assistant Sean Moon, who also choreographed Tom Fletcher and Amy Dowden’s Salsa that same evening. The choreography chosen was well-suited to John’s dancing abilities and complimented the music beautifully.

The routine opens with both John and Johannes setting the scene working in a French bakery. After a few bars of music, they break into, what Anton called “Baquette-ography,” swivels, a Can-Can sequence and a perfectly synchronised Cartwheel. At 0:37, we see the pair move smoothly into a series of swivels followed by a lift. At 0:50, the tempo of the song changes which results in the pair completing a series of the basic Charleston step in slow motion, one critic mentioned that, “this change in tempo made it all the more impressive.” They then went into a series of pushes, or as Johanne’s called them, “check your nails,” Tick Tocks, Side-to-Side Charleston and assisted Cartwheels. The routine ended with a comical scene with John pushing a pie into Johannes’ face- providing further entertainment for the audience.

For me, I really enjoyed watching this routine. The characterisation that John and Johannes portrayed was phenomenal and the routine included a well-balanced mixture of solo-steps, partner work and tricks as well as lots of Classic Charleston steps amalgamated with non-Charleston moves; therefore, adding an element of originality into the mix. The syncopation of the last section in particular left one critic stating, “it was hard to differentiate between Professional and Celebrity.” It was also a joy to witness this dance being adapted to suit the modern, progressive world without losing the original 1920s flare.

As a result, the comments from the judges were overall very positive. Head Judge Shirley stated that their routine was absolutely, “flawless” alongside Motsi who said they were, “spectacular” and how she wanted to, “take [them] off to Broadway.” Even Craig managed a smile and complimented John saying he was, “amazing” and how he loved, “the French vibe.”

Do you agree with these comments or was there anything you thought John could have improved on?

John and Johannes swivelled their way to success with their leader board-topping score of 38; therefore, securing them a spot in next weeks Halloween special.

Scores:

Craig Revel Horwood – 9

Motsi Mabuse – 9

Shirley Ballas – 10

Anton Du Beke – 10

MyCharleston – 9

 Author: Eleanor O'Donnell

Like to learn some of those Charleston steps? Then find out about our Charleston adult dance classes

Strictly Review: Judi Love & Graziano Di Prima

Lights, Camera, Action!

Last Saturday we were treated to Movie Week on Strictly. In week 3, Television Personality Judi Love and her dance partner Graziano Di Prima opened the show with a Charleston number to, ‘When You’re Good to Mama’ from the iconic Broadway show, Chicago.

With Judi and Graziano both dressed for a 1920s party, they delivered a powerful and sassy number which secured them a respectable score in the mid-20s, but do you agree?

Having done some research into the routine itself, the choreographer is Matt Flint, who also choreographed Ugo Monye and Oti Mabuse’s Moana inspired Couple’s Choice the same night.

The routine opens with Judi flamboyantly wafting a feather fan-perfectly encapsulating what this scene in Chicago is all about. This then smoothly moves into a brief section in hold, followed by a sequence of Trucking. At 0:45, we see the first use of the basic Charleston step, subsequently followed by a series of Helicopters, Swivel Walks and Cake Walks.

For me, I’m not really sure what to think of this routine as a whole. The characterisation that both Judi and Graziano portrayed was outstanding and in the training room, Judi stated that she was, “really excited” and was, “loving this dance.” Her passion definitely came through on Saturday night. However, with only a few basic Charleston steps scattered throughout the routine in its entirety, I felt it lacked the original Charleston flare that we have seen in previous weeks.

As a result of this, there were mixed opinions from the Judges. Head Judge Shirley was ecstatic, commenting that the routine was, “Absolutely fantastic” alongside Anton Du Beke who complimented Judi saying how he thought there was a “New career for her in Musical Theatre.”

Despite these positive comments, Craig Revel Horwood, on the other hand stated that, “There wasn’t enough Charleston Content.” Her swivel was also irregular on the right foot. However, he did conclude by saying that he, “Loved the performance.” Whilst I agree with Craig, the routine did lack original Charleston content, it was very entertaining to watch which is exactly what the Charleston is all about-fun!

Despite their score of 24, Judi and Graziano managed to successfully swivel their way through the dance off and can now confidently flapper walk their way into Week 4.

Scores:

Craig Revel Horwood - 4

Motsi Mabuse – 7

Shirley Ballas – 7

Anton Du Beke – 6

MyCharleston – 5

Author: Eleanor O’Donnell

Like to learn some of those Charleston steps? Then find out about our Charleston adult dance classes

Why we love dancing Thriller

As Halloween approaches, the soundtrack to Michael Jackson’s Thriller will soon be heard blaring out of dance studios worldwide. So why do we still get such a thrill from dancing Thriller?

Jackson’s Thriller routine is famously recognisable all over the world and is still learnt by thousands of people young and old. For me the magic of Thriller is that the dance routine is quite easy to learn. Like many great pieces of work it is simple and yet dynamic to watch. But the real magic is that the dancers take on the character of a zombie. This is so liberating because the pressure to look cool and stylish as a dancer is gone. In fact, you need to look decidedly stiff as you begin the routine with a zombie styled walk accented with a head twitch.

The routine contains a number of simple Zombie walks which are so effective that I still remember how spellbound I was when I first saw it in 1983. Back then music videos were a new genre and Thriller took this medium to a new level, with dancing, costumes and a narrative. Thriller has a Shakespearian quality to it as it presents a story, within a story – within a story. The inspiration came from the film An American Werewolf in London. Whilst the song and the video have stood the test of time, it is the dance routine which everyone watches and wants to learn.  

The Choreographer was Michael Peters, nicknamed ‘The Gran Varones’, his work includes Broadways acclaimed musical Dreamgirls and the film Sister Act. However, Peters is most famous for his work on music videos where he collaborated with artist such as Donna Summer, Lionel Richie, Diana Ross and of course Michael Jackson. Speaking about his experience of working with Michael Peters, Jackson said;

“ It was a delicate thing to work on because I remember my original approach was, ‘How do you make zombies and monsters dance without it being comical?’ So I said, ‘We have to do just the right kind of movement so it doesn’t become something that you laugh at.’ But it just has to take it to another level. So I got in a room with Michael Peters, and he and I together kind of imagined how these zombies move by making faces in the mirror. I used to come to rehearsal sometimes with monster makeup on, and I loved doing that. So he and I collaborated and we both choreographed the piece and I thought it should start like that kind of thing and go into this jazzy kind of step, you know. Kind of gruesome things like that, not too much ballet or whatever.” -Michael Jackson

The dance talent of Jackson himself is what really brings this dance piece to life – forgive the pun! His perfect execution of each move is made even more incredible when you discover that he had no formal training and was entirely self-taught. He believed “the greatest education in the world is watching the masters at work.” He himself learnt by watching classic entertainers such as Gene Kelly, Bob Fosse, and Charlie Chaplin. Michael had a strong work ethic and practiced endlessly until he could pop, lock, and moonwalk at a level unseen by the world.

Michael Jackson’s dancing has always inspired me and in my interpretation of the Thriller routine I have tried to include simple moves, which look effective. The starting point in the workshop is to discover your ‘Inner Zombie’ with some travel moves. This is then developed into a move which I call ‘Zombie climbs through a window’ I love this move because you get to engage your imagination and be playful.

The routine has some of the most iconic moves including everyone’s favourite - Zombie with Monster Hands! This is when the Zombies cross lines with a side to side walking move.  It’s one of those moves which just feels good when you dance it. It’s also one of the most iconic moves from the video, so there is a real sense of achievement when people master this one.  We end the routine with Jackson’s classic move in which his finger points to the sky as he sings ‘Ow’ then we all melt to the ground in a Zombie pile up.

The dance workshop is open to a range of abilities whether you are a beginner adult dancer or experienced, the focus is on being playful and having fun. We would definitely encourage you to dress up so we can really get into the spirit of things, and if you are up for it you can take part in the video at the end of the class. If you want to bring children, we would love to have them but do contact us before booking so we can check it is suitable for their age and dance level. 

The Thriller dance workshop is taking place on Halloween weekend. We are running two dance classes so you can learn online or join us in the dance studio.  All the details are below and a link so you can book your space and join us for the ‘Thrill’ of your life! Wa, ha, ha!

Online Zoom Workshop, Friday 29th October, 6.30pm - 7.30pm

In-studio Workshop, Saturday 30th October 2-4pm, Brighton University dance studios

Strictly Review: Tilly Ramsey & Nikita Kuzmin

After a year long wait, Strictly Come Dancing is finally back for the 2021 series. Last Saturday we were treated to our first Charleston of the competition. In Week 2, TV personality Tilly Ramsey and her dance partner, Nikita Kuzmin, were the highest scoring pair of the night after performing a Charleston to ‘Yes Sir! That’s my Baby’ by Firehouse Five. 

The judges’ comments were extremely positive about their performance. Craig Revel Horwood said: "I really and truly loved that, the energy was fantastic, I think you're fantastic! Brilliant!”. Head judge Shirley Ballas described her as a "powerhouse" and congratulated Tilly saying she was "not expecting that”.

The routine scored a total of 34. Do you agree? 

If we pick apart the dance, which was based around a day out having a picnic, it included: Classic Charleston 20s Step (0:27), Pushes (0:30), Around the Worlds in hold (0:35) and Travelling Charleston (0:47). Tilly then went straight into Flicks, Flapper Walks and Heel Slaps.

After the tennis section, the couple performed a 30s Charleston variation, Helicopters (1:15) followed by floor work and lifts.

The routine ended with another classic Classic Charleston 20s Step (1:27), Kick Charlestons, Hitchhikes and a final position.

The choreographer of the routine was Jenny Thomas who also choreographed Giovanni and Rose’s Salsa number.

Tilly said she's had a great time. She told Claudia: "It's been the best week and I never thought I would be able to have done that a couple of weeks ago."

Overall, this Charleston number was full of classic 1920s moves, loads of energy and the pair used their faces in a dynamic way to capture the quirkiness of the genre. The song was the perfect choice for this classic routine and the couple have set a high standard for upcoming Charleston routines on the show.

Scores:

Craig - 8

Motisi - 9

Shirley - 9

Anton - 8

MyCharleston - 8

Author: Eleanor O’Donnell

Like to learn some of those Charleston steps? Then find out about our Charleston adult dance classes

Videos: Watch what's on next term

Our in-studio and online courses for the winter term are now live! All our courses will run from the week commencing 1 November for six weeks in Sussex, Hampshire and online. Over the six weeks you will learn a routine set to a specific piece of music with the last week giving you the chance to dress up and dance the full routine with your fellow dance students!

None of our courses require a partner and all include an online tutorial pack so you can practise at home.

---

CHARLESTON OPEN LEVEL COURSE - ‘PENNIES FROM HEAVEN’

We are excited to share the first glimpse of our next Charleston course which is our 'Pennies From Heaven' routine. We first performed this back in 2014(!) and have updated the choreography for the new term. This is a really joyful, upbeat routine and you get to dance with props. The courses run for 6 weeks and start from 1st November. Click your location for full dates and times:

CLASSES

---

MUSICALS COURSE - ‘ANYTHING GOES’

Dust down your sailor suits as our next musical course is based on the song ‘Anything Goes’. The show is set on an Ocean Liner and the choreography is inspired by the 1950s version of the film starring Mitzi Gaynor and the current West End version with Sutton Foster. Take a peek at what Fiona has got lined up! The course runs online from 1st Nov at 7pm; in Hove from 2nd Nov at 7pm and Eastbourne from 3rd Nov at 6pm.

HOVE EASTBOURNE ONLINE

---

charleston intermediate - ‘SING, SING, SING’

Get ready to swivel and slide into our next intermediate course with our Sing, Sing, Sing routine! This upbeat dance has plenty of flicks and kicks for those wanting to try out a classic 1920s routine. This course starts 4th Nov at 7pm at Open Space Studios, Hove.

HOVE

---

STREET JAZZ - ‘LET FOREVER BE’

We are happy to confirm that Street Jazz is now a permanent fixture to our timetable and next term Fiona will be teaching 'Let Forever Be' from 4th Nov at 6pm, Open Space Studios in Hove. The routine is inspired by the 1999 Chemical Brothers music video directed by Michel Goundry.

HOVE

To view the full timetable just click the link below.