Learn Happy Feet: Charleston Move of the Week

Happy Feet is a quirky move, in which the feet seem to be moving as if by magic. This is definitely a ‘practice at home’ move and it may take a while to get the knack. 

Happy Feet is a quirky move, in which the feet seem to be moving as if by magic. This is definitely a ‘practice at home’ move and it may take a while to get the knack. 

Start with the feet in parallel and by practice rolling your weight between the heel and the ball of the foot, then try this in opposition.

Now bring the heels together and turn the toes out, as if your impersonating Mary Poppins. You can begin with what we call 'Happy Foot' so just rotate the toes of one foot out and then repeat on the other side.

Now try it by alternating between the ball and heel of the foot. There is nothing natural about this movement but, just like when you learn to play something like Bach on the piano, you have to piece it together slowly and eventually it will start to flow.

Happy Feet is a fabulous move and it feels so nice once you've mastered it. Once you do it will be one of you go to moves when your free styling - mainly because it's not as exhausting as many other moves.

Good luck and let us know how you got on - if you do master it please send us your videos!

Learn Shoe Shine: Charleston Move of the Week

This move does what it says on the tin, you are pretending to shine your shoes, so it's as much mime as it is dance and has a strong historical context.

You begin by presenting the foot, lean back and wipe the hand across as if polishing your shoe. You can the hop jump to switch sides to clean the other shoe (cause you'd look odd with just one shinny shoe!) and again flick the hands 4 times as if cleaning your shoes. This is a great move to master, so try it around the house or next time you shoes need cleaning!

Everything you need to know - Great Gatsby’s Silent Disco

I went to my first Silent Disco 3 years ago, I was a bit skeptical and really couldn’t see what wearing headphones would add to the party experience. I was pleasantly surprised, the having music played to you directly through headphones was amazing.

The first thing I noticed was it was much easier loose my inhibitions, it was like dancing round my own living room. At the same time seeing other people getting down to the same tune gave me a direct connection with them on the dancefloor. The final bonus was when a tune didn’t rock my world, I could switch channels until I found something which did move me to dance.

Silent Disco in the street

Last year Elena and I went on a walkabout silent disco through the streets of Brighton, everyone sang their hearts out as they danced around town much to the entertainment of onlookers.

It was after this experience Elena and I started to think about running our own vintage event. The beauty of this is that we are not stuck in one decade of music and as much as we adore 1920’s jazz it’s hard to find quality recordings and dancing the Charleston for 3 hours would be truly exhausting!

The opportunity of having 3 channels meant we could have one offering music pics from the 20’s, 30’s and 40’s. Another channel with a mix of electro-swing and modern jazz fusion. Finally we decided the third channel would be music which of black origin, early jazz has been the foundation for many styles of music such as funk, soul and hip-hop. This meant we could offer something modern without deviating entirely from the theme.

Great Gatsby’s Silent Disco is happening at the One Church, a venue we love and where they often run Ceilidhs. It is a great space for a dance event as it has loads of room to dance and yet the lighting is ambient and atmospheric. It will definitely be a dress-up and dance event and we are hoping people will customize their headsets to add to the glam.

We have some strolls and short dance sequences that people can easily pick-up so the plan is for flashmob style dances to emerge on the dancefloor encouraging people to join the channel for that tune. So get your dance shoes ready and join us for the first ever vintage silent disco.

Fall on the Log: Move of the Week

This week we are looking at a move called Fall on the Log as the name implies there is a falling action. As you fall onto the standing leg, the other leg tucks behind to reveal the sole of the foot.

There are four transitions of weight, so if you begin on jumping onto your right leg, then turn sideways as you hop onto the left leg, then switch right, left.

The head should stay level and there is a sense of disconnection between the upper and lower body. From the hips down something fancy is happening but from the waste upwards you are hardly moving and looking relaxed.

The challenge in this move is practising it slowly but familiarise yourself with the weight changes and you can soon speed up and start to think about the style.

The initial jump or 'fall' should involve a twisting of the hips in mid air. It is this lock movement and the head not bobbing up and down which makes this move distinct from it's very close relative in the Hip Hop world which has exactly the same foot work but is called the top rock.

It's a really fun and fancy move and well worth taking the time to master.

MOVE IT 2019

MOVE IT is the world’s biggest dance event, celebrating all forms of dance and the performing arts across three amazing days. Big names in the dance world grace the stage at the Excel London every year and 2019 was no exception. This years headliners included Strictly Come Dancing power couple Neil and Katya Jones, JLS frontman Aston Merrygold and Greatest Dancer winner Ellie Ferguson. Needless to say that once we had been accepted to perform on the Main Stage and teach at this years show I felt excited, nervous, honoured and a bit sick…

Move it 2019 - Main Stage

When you are dancing and sharing a stage alongside the hottest artists and talent in the UK we had to pull out all the stops. Planning started back in December with Fiona and our dance captain Rachel on what our show stopping performance was going to be. After hours of brain storming we chose the song ‘Hold that Tiger’ by the California Feetwarmers and put together a circus themed routine: The Ringmaster and her Tigers. 

Over the next 9 weeks the team worked endlessly on every little detail on the performance. Rachel put together a fantastic routine and our 12 piece troupe worked extra hours in bringing it together. Alongside of this everyone chipped in on the finer details. One afternoon Elena and dance troupe member Mila spent 6 hours preparing the dresses and making 22 tiger ears! Another dancer, Serafine, was awake until 1.30am the night before sewing the ringmasters costume whilst Rachel spent the day painting a barrel to turn into a podium. These may seem like small things to worry about but all the small details bring the performance together. Alongside of music, there is also the logistics, the extra studio bookings, the music that needs cutting, the transport to get there and the hair and make-up which needs to uniformed.

Fiona Ring and Elena Collins at MOVE IT 2019

The energy on the day was electric however the team were controlled, prepared and pulled out what we consider one of our best performances to date. Our number was between the Greatest Dancer finalists and we delighted by the crowds energy and enthusiasm for us on stage. We were the only Charleston act there, nearly everything else was contemporary or street so we felt we brought something totally different to the stage. We were properly also the oldest dancers there, most performers where bendy 16 year olds auditioning for stage school but we felt proud to show that dance is for everyone regardless of age… and how unbendy you are!

After the performance I felt quite emotional. I am so proud of our dancers and of how far our team have come together. Fiona, Rachel and I started working together 5 years ago and I never dreamed that MyCharleston would be on the Main Stage of MOVE IT. It really was a dream come true… and to top it off we even got a snap with Neil and Katya from Strictly!

Rachel teaching at Move it 2019

Rachel and Elena with the Strictly Come Dancing Pros.

After the performance we taught a sold out workshop which was a master class in Charleston where Portsmouth and Ryde teacher Mel joined us. It was great fun and a privilege to be the only people teaching Charleston over the whole weekend. 

Our video from the performance will be released soon so keep an eye our for the final video! 

Elena

The Ring Master and her Tigers. MyCharleston dance troupe at Move It 2019.

How dance helped women’s liberation

The early decades of the 20th century were a battleground for women,  in terms of political and legal reform. But women were also testing out another arena of emancipation: their bodies. As fashions grew simpler and skirts rose higher, reaching knee-length by the late 1920s, women found new physical freedom.

Josephine Baker dancing the Charleston at the Folies-Bergère, Paris

On the dancefloor, too, women were displaying an alarming lack of modesty, with the social dances that began spreading through the west just before the first world war. Driven by the rhythms of American ragtime, the Bunny Hug, the Turkey Trot and the Grizzly Bear.

These encouraged dancers to kick up their feet, rock crazily from side to side and lock their swaying pelvises together. To the young these ragtime dances were part of a new "budding freedom", a sign that "Victorianism" had finally lost its grip.

Nightclubs had begun to appear in London in 1912, these dark and crowded basements promised a cocktail of illicit thrills: smoking cigarettes, wearing lipstick, drinking Pink Ladies – and dancing. 

In the 1920s, ragtime was superseded by the wayward jangle and bounce of the Charleston and by the pert, buttock-flourishing naughtiness of the Black Bottom. Zelda Fitzgerald, famously the inspiration for her husband F Scott's fictional flapper heroines, was also a wicked exponent of the decade's jazz dances. 

If dances were getting wilder, so too were morals. Between 1914 and 1929, the divorce rate doubled in the US and surveys reported that premarital sex was rising even faster. The promiscuity of young women caused alarm, particularly in Britain. The Daily Mail warned that the number of "superfluous" females could be a "disaster to the human race" (clearly the Daily Mail’s attitudes haven’t advanced much, as they are still spouting the same sexist bullsh*t in 2019!)

Young flappers may have thrown off the tyranny of the corset, but they discovered the new tyranny of dieting! Which still lives on in the year 2019!

The flapper represented a new spirit of emancipation. If women were to follow their "inner compulsion to be individuals", they had to throw off their shackling inheritance of obedience, whether to the puritanical tenets of old-school feminism or to the sentimentalised duties of marriage and motherhood. It wasn't hardcore politics but, on the dancefloor at least, these women of the 1920s embodied Bromley's views. As they shimmied their shoulders and swivelled their hips, they were released into a brief but deeply subversive world – a world of freedom.

This blog was put together from extracts of Judith Mackrell’s article on the Guardian. Read Full article here

Helicopter: Charleston Move of the Week

The Helicopter is a Charleston dance move which creates the illusion that your leg turning in a way which looks impossible.

The key to mastering this move is not to think ‘I will make a full rotation with my lower leg’. Instead think of it as a flick of the leg as if you are brushing something off your shoe. You put a lot of energy into the flick, then relax and let the inertia take you all the way around.

The standing foot should also swivel but you can build up to this. Keep the knees close together and make sure there is room for the flicking foot to pass behind the foot of the standing legs. You can then add arms, classic positions are 'stirring the pot' or flat palm making a circle.

Work on your posture so you are well balanced and the upper body looks relaxed.

Learn Opposites: Charleston Move of the week

This week we are looking at a simple Charleston move called Opposites. This is easy move which can be stylised in many ways.

In the basic motion comes from the knees where you push you hips forwards and back and swing your arms in opposition to your hips.

Once you have the motion of swinging forwards and back, you can also swing from side to side. Again, your arms swing in opposition to your hips.

The full movement is bringing together the forward and back and side motions in one seamless movement.

Once you have the basic step, you can add swivel to your feet to really exaggerate the move.

Learn Truckin': Charleston Move of the Week

Truckin is a move which dates back to the time when many of the waiters at The Savoy, in Harlem, were dancers hoping to get talent spotted. They would do this move while holding a tray which they would spin on one finger.

This move reminds us a lot of the Hornpipe dance as the footwork and posture is strikingly similar. It involves 3 little hops or shunts on the same leg, then you wait on beat 4 before repeating the move on the other leg and with a slight change of direction. We used to call this move 'Naughty Sailor' because as you travel your raise one finger and wag it as if telling someone of. That explains the naughty bit, the sailor was because it reminds us of the hornpipe! This a high energy travel move full of character, so find a space and get Truckin'

Charleston Move of the week: Learn the Messaround

This move is an absolute favourite with us. It was made famous by the Ray Charles song The Mess Around, it's a completely joyful and easy dance move to learn.

You start by rotating the pelvis in a full circle, then add a little bounce of the heels which you can do half or double time.

Hands can be on the hips or our favourite is you place one hand on the belly, the other arm does a jazz hand as you bounce around.

We like to make the analogy that your jazz hand is waving goodbye to you bum! Our other favourite is that your like a jolly Father Christmas with his hands on his belly going ‘ho, ho, ho!’ This sounds the laugh and characterisation really gets you into this move.

This move is very useful when your busting your moves on the social dance floor. It's a great way to catch your breath and take a moment. So if in doubt mess about!